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Unspeakable Practices, Unnatural Acts_A Picture History of the War

唐纳德·巴塞尔姆
总共15章(已完结

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A Picture History of the War

Kellerman, gigantic with gin, runs through the park at noon with his naked father slung under one arm. Old Kellerman covers himself with both hands and howls in the tearing wind, although sometimes he sings in the bursting sunlight. Where there is tearing wind he howls, and where there is bursting sunlight he sings. The park is empty except for a pair of young mothers in greatcoats who stand, pressed together in a rapturous embrace, near the fountain, "What are those mothers doing there," cries the general, "near the fountain?" "That is love," replies the son, "which is found everywhere, healing and beautiful." "Oh what a desire I have," cries the general, "that there might happen some great dispute among nations, some great anger, so that I might be myself again!" "Think of the wrack," replies the son. "Empty saddles, boots re?versed in the stirrups, tasteful eulogies --" "I want to tell you something!" shrieks the general. "On the field where this battle was fought, I saw a very wonderful thing which the natives pointed out to me!"

On the night of the sixteenth, Wellington lin?gered until three in the morning in Brussels at the Duchess of Richmonds ball, sitting in the front row. "Showing himself very cheerful," according to Muffling. Then with Muffling he set out for the windmill at Brye, where they found Marshal Bliicher and his staff. Kellerman, followed by the young mothers, runs out of the park and into a bar.

"Eh, hello, Mado. A Beaujolais."

"Eh, hello, Tris-Tris," the barmaid replies. She is wiping the zinc with a dirty handkerchief. "A Beaujolais?"

"Cut the sentimentality, Mado," Kellerman says. "A Beaujolais. Listen, if anybody asks for me --"

"You havent been in."

"Thanks, Mado. Youre a good sort."

Kellerman knocks back the Beaujolais, tucks his naked father under his arm, and runs out the door.

"You were rude with that woman!" the general cries. "What is the rationale?"

"Its a convention," Kellerman replies. The Bel?gian regiments had been tampered with. In the melee, I was almost instantly disabled in both arms, losing first my sword, and then my reins, and fol?lowed by a few men, who were presently cut down, no quarter being asked, allowed, or given, I was carried along by my horse, till, receiving a blow from a sabre, I fell senseless on my face to the ground. Kellerman runs, reading an essay by Paul Goodman in Commentary. His eye, caught by a line in the last paragraph ("In a viable constitu?tion, every excess of power should structurally gen?erate its own antidote"), has wandered back up the column of type to see what is being talked about ("I have discussed the matter with Mr. and Mrs. Beck of the Living Theatre and we agree that the following methods are tolerable").

"Whats that?" calls the first mother. "On the bench there, covered with the overcoat?"

"Thats my father," Kellerman replies cour?teously. "My dad."

"Isnt he cold?"

"Are you cold?"

作品简介:

唐纳德·巴塞尔姆Donald Barthelme(1931年4月7日—1989年7月23日)是美国后现代主义小说家,代表作是《白雪公主》。他一生写了大量的短篇小说,并曾从事新闻记者、杂志编辑等工作,并曾在纽约城市大学任教。

虽然以短篇小说文明,巴塞尔姆一生中亦著有四部中长篇小说:《白雪公主》(Snow White),《死去的父亲》(The Dead Father),《天堂》(Paradise)以及 The King。他的一百多篇短篇收集在 《Come Back, Dr. Caligari》、 《Unspeakable Practices, Unnatural Acts》《City Life》和《Sadness》等书中。另外,它的大部分作品汇集在了《故事六十篇》(Sixty Stories)和《故事四十篇》(Forty Stories)之中。巴塞尔姆还著有一些非小说书籍,如:《Guilty Pleasures》、《Not-Knowing: The Essays and Interviews of Donald Barthelme》。并和女儿一道写了儿童文学作品《The Slightly Irregular Fire Engine》,并因此在1972年获得美国国家图书奖。

巴塞尔姆的短篇小说作品通常只重视偶然和片断,而并传统、完整的叙述并不多见。一些作品背离了小说传统表现方式,甚至在一些作品里采用大量非文字的表达方式例如插入让读者难以捉摸的图片或者单调的色块。人们对他的作品有褒有贬。褒者认为巴塞尔姆的作品思维方式奇特、观点独到,贬者认为他的作品毫无意义不能理解。他也是美国最富有影响力的后现代主义作家之一。

作者:唐纳德·巴塞尔姆

标签:Unspeakable PracticesUnnatural Acts唐纳德·巴塞尔姆

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