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The Ballad of the Sad Café and Other Stories_Madame Zilensky and the King of Finland-2

卡森·麦卡勒斯
总共25章(已完结

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Madame Zilensky and the King of Finland-2

Affairs in the music department were running smoothly. Mr. Brook did not have any serious embarrassments to deal with, such as the harp teacher last year who had finally eloped with a garage mechanic. There was only this nagging apprehension about Madame Zilensky. He could not make out what was wrong in his relations with her or why his feelings were so mixed. To begin with, she was a great globe-trotter, and her conversations were incongruously seasoned with references to far-fetched places. She would go along for days without opening her mouth, prowling through the corridor with her hands in the pockets of her jacket and her face locked in meditation. Then suddenly she would buttonhole Mr. Brook and launch out on a long, volatile monologue, her eyes reckless and bright and her voice warm with eagerness. She would talk about anything or nothing at all. Yet, without exception, there was something queer, in a slanted sort of way, about every episode she ever mentioned. If she spoke of taking Sammy to the barbershop, the impression she created was just as foreign as if she were telling of an afternoon in Bagdad. Mr. Brook could not make it out.

The truth came to him very suddenly, and the truth made everything perfectly clear, or at least clarified the situation. Mr. Brook had come home early and lighted a fire in the little grate in his sitting room. He felt comfortable and at peace that evening. He sat before the fire in his stocking feet, with a volume of William Blake on the table by his side, and he had poured himself a half-glass of apricot brandy. At ten oclock he was drowsing cozily before the fire, his mind full of cloudy phrases of Mahler and floating half-thoughts. Then all at once, out of this delicate stupor, four words came to his mind: "The King of Finland." The words seemed familiar, but for the first moment he could not place them. Then all at once he tracked them down. He had been walking across the campus that afternoon when Madame Zilensky stopped him and began some preposterous rigamarole, to which he had only half listened; he was thinking about the stack of canons turned in by his counterpoint class. Now the words, the inflections of her voice, came back to him with insidious exactitude, Madame Zilensky had started off with the following remark: "One day, when I was standing in front of a patisserie, the King of Finland came by in a sled."

Mr. Brook jerked himself up straight in his chair and put down his glass of brandy. The woman was a pathological liar. Almost every word she uttered outside of class was an untruth. If she worked all night, she would go out of her way to tell you she spent the evening at the cinema. If she ate lunch at the Old Tavern, she would be sure to mention that she had lunched with her children at home. The woman was simply a pathological liar, and that accounted for everything.

Mr. Brook cracked his knuckles and got up from his chair. His first reaction was one of exasperation. That day after day Madame Zilensky would have the gall to sit there in his office and deluge him with her outrageous falsehoods! Mr. Brook was intensely provoked. He walked up and down the room, then he went into his kitchenette and made himself a sardine sandwich.

An hour later, as he sat before the fire, his irritation had changed to a scholarly and thoughtful wonder. What he must do, he told himself, was to regard the whole situation impersonally and look on Madame Zilensky as a doctor looks on a sick patient. Her lies were of the guileless sort. She did not dissimulate with any intention to deceive, and the untruths she told were never used to any possible advantage. That was the maddening thing; there was simply no motive behind it all.

Mr. Brook finished off the rest of the brandy. And slowly, when it was almost midnight, a further understanding came to him. The reason for the lies of Madame Zilensky was painful and plain. All her life long Madame Zilensky had worked -- at the piano, teaching, and writing those beautiful and immense twelve symphonies. Day and night she had drudged and struggled and thrown her soul into her work, and there was not much of her left over for anything else. Being human, she suffered from this lack and did what she could to make up for it. If she passed the evening bent over a table in the library and later declared that she had spent that time playing cards, it was as though she had managed to do both those things. Through the lies, she lived vicariously. The lies doubled the little of her existence that was left over from work and augmented the little rag end of her personal life.

Mr. Brook looked into the fire, and the face of Madame Zilensky was in his mind -- a severe face, with dark, weary eyes and delicately disciplined mouth. He was conscious of a warmth in his chest, and a feeling of pity, protectiveness, and dreadful understanding. For a while he was in a state of lovely confusion.

Later on he brushed his teeth and got into his pajamas. He must be practical. What did this clear up? That French, the Pole with the piccolo, Bagdad? And the children, Sigmund, Boris, and Sammy -- who were they? Were they really her children after all, or had she simply rounded them up from somewhere? Mr. Brook polished his spectacles and put them on the table by his bed. He must come to an immediate understanding with her. Otherwise, there would exist in the department a situation which could become most problematical. It was two oclock. He glanced out of his window and saw that the light in Madame Zilenskys workroom was still on. Mr. Brook got into bed, made terrible faces in the dark, and tried to plan what he would say next day.

Mr. Brook was in his office by eight oclock. He sat hunched up behind his desk, ready to trap Madame Zilensky as she passed down the corridor. He did not have to wait long, and as soon as he heard her footsteps he called out her name.

Madame Zilensky stood in the doorway. She looked vague and jaded. "How are you? I had such a fine nights rest," she said.

"Pray be seated, if you please," said Mr. Brook. "I would like a word with you."

Madame Zilensky put aside her portfolio and leaned back wearily in the armchair across from him. "Yes?" she asked.

"Yesterday you spoke to me as I was walking across the campus," he said slowly. "And if I am not mistaken, I believe you said something about a pastry shop and the King of Finland. Is that correct?"

Madame Zilensky turned her head to one side and stared retrospectively at a corner of the window sill.

作品简介:

本书所收录的小说,其背景则呈现为多样性,有都市生活的,有大学生活的,也有家庭生活的,但其反映的主旨似仍在人物的内心世界,以及那种没来由的孤独感。

伤心咖啡馆之歌

首先,爱情是发生在两个人之间的一种共同的经验——不过,说它是共同的经验并不意味着它在有关的两个人身上所引起的反响是同等的。世界上有爱者,也有被爱者,这是截然不同的两类人。往往,被爱者仅仅是爱者心底平静地蕴积了好久的那种爱情的触发剂。每一个恋爱的人都多少知道这一点。他在灵魂深处感到他的爱恋是一种很孤独的感情。他逐渐体会到一种新的、陌生的孤寂,正是这种发现使他痛苦。因此,对于恋爱者来说只有一件事可做。他必须尽可能深地把他的爱情禁铜在心中;他必须为自己创造一个全然是新的内心世界——个认真的、奇异的、完全为他单独拥有的世界。我还得添上一句,我们所说的这样的恋爱者倒不一定得是一个正在攒钱准备买结婚戒指的年轻人——这个恋爱者可以是男人、女人、儿童,总之,可以是世界上任何一个人。

至于被爱者.也可以是任何一种类型的人。最最粗野的人也可以成为爱情的触发剂。一个颤巍巍的老爷子可能仍然钟情于2o年前某日下午他在奇霍街头所见到的陌生姑娘。牧师也许会爱上一个堕落的女人。被爱的人可能人品很坏,油头滑脑,染有不良恶习。是的,恋爱者也能像别人一样对一切认识得清清楚楚——可是这丝毫也不影响他的感情的发展。一个顶顶平庸的人可以成为一次沼泽毒罂粟般热烈、狂放、美丽的恋爱的对象。一个好人也能成为—次放荡、堕落的恋爱的触发剂,一个絮絮叨叨的疯子没准能使某人头脑里出现一曲温柔、淳美的牧歌。因此.

任何一次恋爱的价值与质量纯粹取决于恋爱者本身。

正因如此,我们大多数人都宁愿爱而不愿被爱。几乎每一个都愿意充当恋爱者。道理非常简单,人们朦朦胧胧地感到,被人爱的这种处境,对于许多人来说,都是无法忍受的。被爱者惧怕而且憎恨爱者,这也是有充分理由的。因为爱者总是想把他的所爱者剥得连灵魂都裸露出来。爱者疯狂地渴求与被爱者发生任何一种可能的关系,纵使这种经验只能给他自身带来痛苦。

作者:卡森·麦卡勒斯

标签:伤心咖啡馆之歌神童赛马骑师席林斯基夫人与芬兰国王旅居者家庭困境树石云

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