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伊利亚随笔续集_XI. -- THAT WE MUST NOT LOOK A GIFT-HORSE IN THE M

查尔斯·兰姆
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XI. -- THAT WE MUST NOT LOOK A GIFT-HORSE IN THE M

Nor a ladys age in the parish register. We hope we have more delicacy than to do either: but some faces spare us the trouble of these dental inquiries. And what if the beast, which my friend would force upon my acceptance, prove, upon the face of it, a sorry Rozinante, a lean, ill-favoured jade, whom no gentleman could think of setting up in his stables? Must I, rather than not be obliged to my friend, make her a companion to Eclipse or Light-foot? A horse-giver, no more than a horse-seller, has a right to palm his spavined article upon us for good ware. An equivalent is expected in either case; and, with my own good will, I would no more be cheated out of my thanks, than out of my money. Some people have a knack of putting upon you gifts of no real value, to engage you to substantial gratitude. We thank them for nothing. Our friend Mitis carries this humour of never refusing a present, to the very point of absurdity -- if it were possible to couple the ridiculous with so much mistaken delicacy, and real good-nature. [p 262] Not an apartment in his fine house (and he has a true taste in household decorations), but is stuffed up with some preposterous print or mirror -- the worst adapted to his pannels that at may he -- the presents of his friends that know his weakness; while his noble Vandykes are displaced, to make room for a set of daubs, the work of some wretched artist of his acquaintance, who, having had them returned upon his hands for bad likenesses, finds his account in bestowing them here gratis. The good creature has not the heart to mortify the painter at the expense of an honest refusal. It is pleasant (if it did not vex one at the same time) to see him sitting in his dining parlour, surrounded with obscure aunts and cousins to God knows whom, while the true Lady Marys and Lady Bettys of his own honourable family, in favour to these adopted frights, are consigned to the staircase and the lumber-room. In like manner his goodly shelves are one by one stript of his favourite old authors, to give place to a collection of presentation copies -- the flower and bran of modern poetry. A presentation copy, reader -- if haply you are yet innocent such favours -- is a copy of a book which does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours which does sell, in return. We can speak to experience, having by us a tolerable assortment of these gift-horses. Not to ride a metaphor to death -- we are willing to acknowledge, that in some gifts there is sense. A duplicate out of a friends library (where he has more than one copy of a rare author) is intelligible. There are favours, short of the pecuniary -- a thing not fit to be hinted at among gentlemen -- which confer as much -- grace upon the acceptor as the offerer; the kind, we confess, which is most to our palate, is of those little conciliatory missives, which for their vehicle generally choose a hamper -- little odd presents of game, fruit, perhaps wine -- though it is essential to the delicacy of the latter that it be home-made. We love to have our friend in the country sitting thus at our table by proxy; to apprehend his presence (though a hundred miles may be between us) by a turkey, -- whose goodly aspect reflects to us his "plump corpusculum;" to taste him in grouse or woodcock; to feel him aiding down in the toast peculiar to the latter; to concorporate him in a slice of Canterbury brawn. This is indeed to have him within ourselves; -- to know him intimately: such participation is methinks unitive, as the old theologians phrase it. For these considerations we should be sorry if certain restrictive regulations, which are thought to bear hard upon the peasantry of this country, were entirely done away with. A hare, as the law now stands, makes many friends. Caius conciliates Titius (knowing his gout) with a leash of partridges. [p 263] Titius (suspecting his partiality for them) passes them to Lucius; who in his turn, preferring his friends relish to his own, makes them over to Marcius; till in their ever widening progress, and round of unconscious circum-migration, they distribute the seeds of harmony over half a parish. We are well disposed to this kind of sensible remembrances; and are the less apt to be taken by those little airy tokens -- inpalpable to the palate -- which, under the names of rings, lockets, keep-sakes, amuse some peoples fancy mightily. We could never away with these indigestible trifles. They are the very kickshaws and foppery of friendship.

作品简介:

兰姆的散文早已成为经典。这经典中都写了些什么呢?什么都写,涉及人生与社会的各个方面:读书、论画、说牌、叙旧、怀古、言情、修传、拾轶……总之,社会百般无所不谈。但其精彩还不在其题材和内容,而在他在这些题材和内容里发掘了赋予了新的意义。他作品有鲜明的个人特色,高度个性化的吐属中包含了众多不同的声音,清浅通俗的表达中伴随着凝重文雅的情调,亲切易解的文句中而兼具着古香古色的气氛,日常现实的题材中凝聚着传统与文化的积淀,民俗与历史的联想,诗情与画意的沾润,因而比一般文人笔下的东西丰富得多,具有了多方面的广阔与厚度。本文是一件多彩衣,一具百宝箱,一座众生相的活画廓和一部最迷人心魂的有趣的散文集。

作者:查尔斯·兰姆

标签:伊利亚随笔查尔斯·兰姆

伊利亚随笔续集》最热门章节:
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