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Come Back, Dr. Caligari_Up, Aloft in the Air

唐纳德·巴塞尔姆
总共15章(已完结

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Up, Aloft in the Air

Buck saw now that the situation between Nancy and himself was considerably more serious than he had imagined. She exhibited unmistakable signs of a leaning in his direction. The leaning was acute, sometimes he thought she would fall, sometimes he thought she would not fall, sometimes he didnt care, and in every way tried to prove himself the man that he was. It meant dressing in unusual clothes and the breaking of old habits. But how could he shatter her dreams after all they had endured together? after all they had jointly seen and done since first identifying Cleveland as Cleveland? "Nancy," he said, "Im too old. Im not nice. There is my son to consider, Peter." Her hand touched the area between her breasts where hung a decoration, dating he estimated from the World War I period -- that famous period!

The turbojet, their "ship," landed on its wheels. Buck wondered about the wheels. Why didnt they shear off when the aircraft landed so hard with a sound like thunder? Many had wondered before him. Wondering was part of the history of lighter-than-air-ness, you fool. It was Nancy herself, standing behind him in the exit line, who had suggested that they dance on the landing strip. "To establish rapport with the terrain," she said with her distant coolness, made more intense by the hot glare of the Edward pie vendors and customs trees. They danced the comb, the meringue, the dolce far niente. It was glorious there on the strip, amid air rich with the incredible vitality of jet fuel and the sensate music of exhaust. Twilight was lowered onto the landing pattern, a twilight such as has never graced Cleveland before, or since. Then broken, heartless laughter and the hurried trip to the hotel.

"I understand," Nancy said. And looking at her dispassionately, Buck conjectured that she did understand, unscrupulous as that may sound. Probably, he considered, I convinced her against my will. The man from Southern Rhodesia cornered him in the dangerous hotel elevator. "Do you think you have the right to hold opinions which differ from those of President Kennedy?" he asked. "The President of your land?" But the party made up for all that, or most of it, in a curious way. The baby on the floor, Saul, seemed enjoyable, perhaps more than his wont. Or my wont, Buck thought, who knows? A Ray Charles record spun in the gigantic salad bowl. Buck danced the frisson with the painters wife Perpetua (although Nancy was alone, back at the hotel). "I am named," Perpetua said, "after the famous typeface designed by the famous English designer, Eric Gill, in an earlier part of our century." "Yes," Buck said calmly, "I know that face." She told him softly the history of her affair with her husband, Saul Senior. Sensuously, they covered the ground. And then two ruly police gentlemen entered the room, with the guests blanching, and lettuce and romaine and radishes too flying for the exits, which were choked with grass.

Bravery was everywhere, but not here tonight, for the gods were whistling up their mandarin sleeves in the yellow realms where such matters are decided, for good or ill. Pathetic in his servile graciousness, Saul explained what he could while the guests played telephone games in crimson anterooms. The policemen, the flower of the Cleveland Force, accepted a drink and danced ancient police dances of custody and enforcement. Magically the music crept back under the perforated Guam doors; it was a scene to make your heart cry. "That Perpetua," Saul complained, "why is she treating me like this? Why are the lamps turned low and why have the notes I sent her been returned unopened, covered with red Postage Due stamps?" But Buck had, in all seriousness, hurried away.

The aircraft were calling him, their indelible flight plans whispered his name. He laid his cheek against the riveted flank of a bold 707. "In case of orange and blue flames," he wrote on a wing, "disengage yourself from the aircraft by chopping a hole in its bottom if necessary. Do not be swayed by the carpet; it is camel and very thin. I suggest that you be alarmed, because the situation is very alarming. You are up in the air perhaps 35,000 feet, with orange and blue flames on the outside and a ragged hole in the floorboards. What will you do?" And now, Nancy. He held out his arms. She came to him.

"Yes."

"Arent we?"

"Yes."

"It doesnt matter."

"Not to you. But to me. . ."

"Im wasting our time."

"The others?"

"I felt ashamed."

"Its being here, in Cleveland."

作品简介:

Experimentation with the absurd, both in theme and technique, is by no means a totally new development in literature, especially for those readers familiar with the works of Camus, Kafka, Beckett, Genêt, and Robbe-Grillet. Like these writers, Mr. Barthelme satirizes and mimics most of the clichés of our popular culture, and, through the predicaments of his characters, makes the reader ask Why? Yet these predicaments, although bizarre, inane, and usually surrealistic, do not necessarily contain the morose connotations of most writers of the absurd. For example, in one tale the narrator is thirty-five years old, six feet tall, with the logic and reasoning of an adult. He is in the sixth grade, where Miss Mandible, his teacher, is frustrated in her desires to have an affair with him because, officially, he is a child!

These imaginative stories of dark humor, some of which have appeared in The New Yorker, are to be interpreted on many levels, and offer refreshing and thoroughly exciting reading.

作者:唐纳德·巴塞尔姆

标签:Come BackDr. Caligari唐纳德·巴塞尔姆

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