My Name is Red 精彩片段：
I AM CALLED “STORK”
After the evening prayers I intended to go to the coffeehouse, but they told me there was a visitor at the door. Good tidings, I hoped. I went to discover a messenger from the palace. He described the Sultan’s contest. Fine, the world’s most beautiful horse. You tell me how much you’ll offer for each, and I’ll quickly draw you five or six of them.
Rather than say any such thing, I maintained my reserve, and simply invited the boy waiting at the door inside. I thought for a moment: The world’s most beautiful horse doesn’t even exist that I might draw it. I can draw war steeds, large Mongolian horses, noble Arabians, heroic, writhing chargers covered in blood, or even luckless packhorses pulling a cartfull of stone to a building site, but no one would call any of them the world’s most beautiful horse. Naturally, by “the world’s most beautiful horse,” I knew that Our Sultan meant the most splendid of the horses that had been depicted thousands of times in Persia, in keeping with all of the formulas, models and poses of yore. But why?
Of course, there were those who didn’t want me to win the purse of gold. If they’d told me to draw your average horse, it’s common knowledge that nobody’s picture could compete with mine. Who was it that had duped Our Sultan? Our Sovereign, despite the endless gossip of all of those jealous artists, knows
full well that I am the most talented of His miniaturists. He admires my illustrations.
My hand abruptly and angrily sprang to action as if wanting to rise above all of these vexing considerations, and in one concentrated effort, I drew a true horse beginning from the tip of its hoof. You might see one like this on the street or in battle. Weary, but controlled…Next, in the same fit of anger, I dashed off a spahi cavalryman’s horse, and this one was even better. None of the miniaturists of the book arts workshop could draw such beautiful animals. I was about to draw another from memory when the boy from the palace said, “One is enough.”
He was about to grab the sheet and leave, but I restrained him because I knew full well, as I know my own name, that these scoundrels would be giving up a purse of gold coins for these horses.
If I illustrate the way I want to, they won’t give me the gold! If I can’t win the gold, my name will be tarnished forever. I stopped to think. “Just wait,” I said to the boy. I went inside and returned with two incredibly shiny counterfeit Venetian gold pieces, which I proceeded to give to the boy: He was afraid, his eyes widened. “You’re as brave as a lion,” I said.
I removed one of the notebooks of forms that I kept hidden from the eyes of the world. This is where I secretly made copies of the most beautiful illustrations that I’d seen over the years. Not to mention the copies that the chief of the dwarfs, Jafer, in the treasury would make of the best trees, dragons, birds, hunters and warriors from the pages of volumes locked away; that is, if you gave him ten gold pieces, the rogue. My notebook is excellent, not for those who want to see the actual world in which they live through pictures and decoration, but for those who want to recall the fables of old.
Flipping through the pages while showing the images to the pageboy, I selected the best of the horses. I briskly poked holes over the lines of that picture with a needle. Next, I placed a clean sheet of paper under the stencil. I gradually sprinkled a liberal amount of coal dust on top, then shook it so the dust would pass through the holes. I lifted the stencil. The coal dust, dot by dot, had transferred the beautiful horse’s entire shape to the sheet below. It was a pleasure to behold.
I grabbed my pen. With an inspiration that suddenly welled up within me, I elegantly connected the dots with quick and decisive strokes, such that as I was drawing the horse’s belly, graceful neck, nose and rump, I lovingly felt the horse within me. “There it is,” I said. “The world’s most beautiful horse. Not one of those fools could draw this.”
So the boy from the palace would believe this as well, and so he wouldn’t explain to Our Sultan how I’d been inspired to draw this picture, I gave him three more counterfeit coins. I implied that I would give him even more if I ended up winning the gold. Furthermore, he also imagined, I believe, that he might soon be able to catch sight of my wife once again, whom he’d leered at open-mouthed. There are many who believe you can tell a good miniaturist by the horse he draws; however, to be the best miniaturist, it’s not enough to make the best horse, you must also convince Our Sultan and His circle of sycophants that you are indeed the best miniaturist.
When I draw a magnificent horse, I am who I am, nothing more.
I WILL BE CALLED A MURDERERWere you able to determine who I am from the way I sketched a horse?
As soon as I heard I was invited to make a horse, I knew this was no competition: They wanted to catch me through my illustration. I’m perfectly aware that the horse sketches I’d drawn on rough paper were found on poor Elegant Effendi’s body. But I have no fault or style by which they might discover me through the horses I’ve made. Though I was as certain of this as I could be, I was in a panic while rendering the horse. Had I done something incriminating when I made the horse for Enishte? I had to depict a new horse this time. I thought of completely different things. I “restrained” myself and became another.