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PART 16

EXT. CHURCH DRIVEWAY - CONTINUING

Maggie flies toward a FedEx truck at next house just leaving.

ANOTHER ANGLE:

She gathers her dress and jumps in as Ike yells from window,

then, quickly climbs out onto the lawn as the truck starts to

pull away.

IKE

Maggie!

Maggie looks back once, tearful and regretful, and disappears

inside the truck. The truck races off.

The PHOTOGRAPHERS turn their cameras on Ike, en masse. He is

enveloped by a barrage of bright lights.

Ellie and Fisher, who have also stepped outside on chapel front

steps, are looking around as Ike turns around the corner and

past the church.

ELLIE

Look, hes running after her.

FISHER

Look, hes in pretty good shape.

ELLIE

Poor Ike.

They look after the FedEx truck and watch Ike chasing the truck

down the road away from the church.

IKE

(running; yells)

Maggie!

ELLIE

Where do you think shes going?

FISHER

Wherever it is, shell be there by ten-

thirty tomorrow.

Cindy, Cory, Peggy and Meredith also rush out of the church and

comment on Maggies runaway. Further down the road, Ike still

chases the truck, yelling:

IKE

Maggie!

As the truck rounds the bend in the road and disappears, Ike

stops and stares alone after the disappearing truck. A swarm of

REPORTERS catch up to him, flashing pictures and asking

questions. Another camera flashes and we cut to:

A NEWSPAPER PHOTO

Of Ikes stunned face on the cover of the USA Today. The caption

reads: "Hit and Run: Runaway Bride Strikes again". And we see

headlines in other papers.

"MAGGIES MAD DASH"

"HARDWARE HONEY GOES NUTS AND BOLTS"

"JOURNALIST WRITTEN OFF"

"BRIDE TAKES HIKE...NOT IKE"

"BRIDE TAKE RIDE"

"MAGGIE SAYS I DONT"

NEWSPAPER MONTAGE:

INT. NEW YORK BAR - DAY

Kevin, the bartender, reads Jays column, in the USA Today

entitled "Maggies Mad Dash".

CUT TO:

EXT. USA TODAY LOADING DOCK - DAY

Various newspaper WORKERS also read Jays column in the USA

Today entitled "Maggie Mad Dash" and "Hardware Honey Goes Nuts

and Bolts" in another newspaper.

FADE IN

EXT. MAIN STREET/HALE - NIGHT (1-5 MONTHS LATER)

Its a night like any other in Hale -- the regular order of

things has been restored on its quaint streets. Quartet sings

in front of the hotel. LEE AND CORY CHUFFA: About where Peggy

is.

INT. HARDWARE STORE - NIGHT

Maggie is sitting, end of a long day. Peggy sticks her head in

entrance door.

PEGGY

You okay? Im closing.

MAGGIE

Im just finishing up, too.

PEGGY

Want to go to Butchs for a drink or

something?

MAGGIE

(interrupting)

No, Im just going to head home.

PEGGY

Okay.

Peggy starts to go, then moves close to Maggie.

PEGGY (contd)

(stepping closer

and making a "V"

with her fingers)

You know, I was just thinking about

that geese thing. I think the "V" was

half of a "W". A "W" for...

MAGGIE

What are you talking about?

PEGGY

Wedding. Wedding.

(holding Maggies face)

You just have to get the rest of your

ducks in a row.

MAGGIE

Thank you. You still think that he

was....

PEGGY

Quick. Very quick.

Peggy exits. Maggie stares, losing herself in thought. Then a

VOICE startles her.

VOICE

(whispers)

Marry me, Maggie.

Maggie jumps and turns to see: DENNIS -- the kid from the high

school football team, popping up from a low position near the

counter.

MAGGIE

(softly)

Hi, Dennis.

DENNIS

I am going to propose, you know. I

mean, the right way. Soon as I turn

eighteen.

MAGGIE

Youre sweet, Dennis. But youve got

to go. Im closing up. Heres a candy

bar and one for your brother.

Dennis takes the candy and starts to go.

DENNIS

Im not giving up. A person shouldnt

give up.

Dennis exits. Maggie is alone. She turns out the lamp she

designed, then on again. She turns off the other lamp on the

counter and exits. We hold on Maggies designed lamp.

CUT TO:

INT. IKES HALLWAY AND APARTMENT - NIGHT

Ike walks up to his door, carrying his mail and a bag of

carryout. He opens the door and walks into his apartment. He

pets Italics, who sits on his sofa bed. Without taking off his

coat, he goes to his keyboard and plays music as he CHUFFAS to

his cat about marriage and divorce.

CUT TO:

INT. MAGGIES HOUSE - DAY

Dad and Grandma Julia are there. Grandma is making lunch.

Walter is juggling oranges. Theres glass of beer on the

kitchen counter.

WALTER

Thats Maggie. Home for lunch.

GRANDMA JULIA

Shes been doing this since the last

wedding. I dont think its good.

Maggie walks in and kisses Grandma on the cheek.

MAGGIE

Hey. Grandma, whats for lunch?

GRANDMA JULIA

Turkey and cheese.

WALTER

Honey, your grandmother and I were

thinking about opening a wedding gift

museum.

Walter laughs.

MAGGIE

STOP!

Walter looks at his daughter in surprise. Hes never heard a

tone like this in her voice before.

WALTER

What?

MAGGIE

(quiet fury)

Just stop it. Dont say another word

like that.

WALTER

(putting down the oranges)

Maggie, its just a joke...

MAGGIE

No. Its my life.

WALTER

A harmless joke.

MAGGIE

No, its humiliating and youve been

doing it since I was a kid. I dont

like it. Stop. You may not like

having a daughter with problems. But

guess what? I dont like having a

father whos drunk all the time. Ill

eat in my room.

Maggie takes a plate and exits.

GRANDMA JULIA

That needed to be said. You know --

youre always making jokes about her,

so they wont make jokes about your

drinking.

Walter reacts.

CUT TO:

INT. IKES APARTMENT - DAY

Ike goes out on his terrace. He bounces a basketball. It

doesnt bounce. He sits on the steps of the patio an stares.

CUT TO:

INT. MAGGIES WORKROOM/GYM - DAY

Maggie is kickboxing.

CUT TO:

INT. MAGGIES WORKROOM/GYM - ANOTHER DAY

Maggie is a bit melancholy as she works on her lamps.

CUT TO:

INT. IKES APARTMENT - ANOTHER DAY

Ike quietly sits in bed writing and staring into space thinking.

His cat sits on the windowsill.

CUT TO:

INT. MAGGIES WORKROOM/GYM - NIGHT

Maggie jumps rope barefooted late at night.

MAGGIE

I need a plan... A plan to life... What

would Bruce Lee do? Hed kick some

ass...

CUT TO:

INT. MAGGIES KITCHEN - DAY

Maggie in front of plates full of all sorts of types of eggs --

scrambled, poached, sunny-side up, Benedict, soft boiled, etc

-- sits on the kitchen counter. She ties them all.

EXT. NEW YORK STREET - DAY

Establishing shot. Two MEN try to fix the engine of a taxi

outside the restaurant.

CUT TO:

EXT. NEW YORK STREET - DUSK

Eke walks by the T-shirt Vendor, goes into a subway station.

EXT. ANOTHER STREET - DUSK

Ike crosses a busy street where a MAN is being arrested. Ike is

passing the upscale "Millennium Hardware Store". He glances at

the window, looks away, stops and looks again. The window

display is made up of an assortment of Maggies lamps. Logo

"MAG" is on them. He smiles and walks on.

EXT. CENTRAL PARK RESERVOIR - DUSK

Ike stares out at water as he walks.

EXT. IKES APARTMENT BUILDING - NIGHT

Ike walks along sidewalk, crosses street, enters his building.

INT. IKES APARTMENT - NIGHT

Ike opens the door to his apartment and flicks on the lights. He

crosses to hang his coat in the closet. In the closet mirror, he

sees and is stunned to find: MAGGIE, sitting on the couch

holding Italics, the cat.

MAGGIE

Hello, Ike.

He closes the closet and crosses to his desk.

IKE

Dont tell me. My doorman is one of

your many admires... I knew I should

have given him a better Christmas gift.

Maggie smiles tenuously. Shes more than a little terrified.

MAGGIE

Ive been making friends with your cat.

(then)

Is it okay that Im here?

IKE

I dont have much choice in the matter

now, do I? But I cant speak for

Italics.

(to Cat)

Traitor!

He moves to the kitchen.

MAGGIE

I dont blame you for being mad...

Ike looks at her. Apparently the word "mad" is an understatement.

MAGGIE (contd)

... Or... furious.

Ike looks at her again.

MAGGIE (contd)

... Irate? Livid? Hows that?

He starts putting cat food in a bowl. The cat leaves Maggies

side and starts to east.

IKE

Livid is good. So what is it, Maggie?

You here on business? I saw your lamps.

Theyre terrific.

MAGGIE

Its something Ive always wanted to do.

Ike leaves the kitchen, turns on the balcony lights and re-enters

the living room from the balcony.

IKE

You actually could make breaking and

entering into a new career.

(after opening

the glass doors)

So, what are you doing here?

MAGGIE

I wanted to talk to you about why I run

or ride away from things.

Ike moves away from her and sits on the steps near the balcony

window, listening.

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