The Snow Pavilion-1

The motor stalled in the middle of a snowy landscape, lodged in a rut, wouldnt budge an inch. How I swore! Id planned to be snug in front of a roaring fire, by now, a single malt on the mahogany wine-table (a connoisseurs piece) beside me, the five courses of Melissas dinner savourously aromatising the kitchen; to complete the decor, a labrador retrievers head laid on my knee as trustingly as if I were indeed a country gentleman and lolled by rights among the chintz. After dinner, before I read our customary pre-coital poetry aloud to her, my elegant and accomplished mistress, also a connoisseurs piece, might play the piano for her part-time pasha while I sipped black, acrid coffee from her precious little cups.

Melissa was rich, beautiful and rather older than I. The servants slipped me looks of sly complicity; no matter how carefully I rumpled my sheets, they knew when a bed hadnt been slept in. The master of the house had a pied-a-terre in London when the House was sitting and the House was sitting tight. Id met him only once, at the same dinner party where Id met her -- hed been off-hand with me, gruff. I was young and handsome and full of promise; my relations with husbands rarely prospered. Wives were quite amother matter. Women, as Mayakovosky justly opined, are very partial to poets.

And now her glamorous motor car had broken down in the snow. Id borrowed it for a trip to Oxford, ostensibly to buy books, utilising, with my instinctual cunning, the weather as an excuse. Last night, the old woman had been shaking her mattress with a vengeance -- such snow! When I woke up the bedroom was full of luminous snow light, catching in the coils of Melissas honey-coloured hair, and Id experienced, once again, but, this time, almost uncontrollably, the sense of claustrophobia that sometimes afflicted me when I was with her.

Id said, lets read some snowy poetry together, after dinner tonight, Melissa, a tribute of white verses to the iconography of the weather. Any excuse, no matter how far fetched, to get her out of the house -- too much luxury on an empty stomach, that was the trouble. Always the same eyes too big for his belly, as grandma used to say; grandma spotted the trait when this little fellow lisped and toddled and pissed the bed before he knew what luxury was, even. Cultural indigestion, I tell you, the gripe in the bowels of your spirit. How can I get out of here, away from her subtly flawed antique mirrors, her French perfume decanted into eighteenth-century crystal bottles, her inscrutably smirking ancestresses in their gilt, oval frames? And her dolls, worst of all, her blasted dolls.

Those dolls that had never have been played with, her fine collection of antique women, part of the apparatus of Melissas charm, her piquant originality that lay well on the safe side of quaint. A dozen or so of the finest lived in her bedroom in a glass-fronted, satinwood cabinet lavishly equipped with such toyland artefacts and miniature sofas and teeny-tiny grand pianos. They had heads made of moulded porcelain, each dimple and bee-stung underlip sculpted with loving care. Their wigs and over-lifelike eyelashes were made of real hair. She told me their eyes had been manufactured by the same craftsman in glass who made those terribly precious paperweights filled with magic snowstorms. Whenever I woke up in Melissas bed, the first thing I saw were a dozen pairs of shining eyes that seemed to gleam wetly, as if in lacrimonious accusation of my presence there, for the dolls, like Melissa, were perfect ladies and I, in my upwardly social mobile nakedness -- a nakedness that was, indeed, the essential battledress for such storm-troopers as I! -- patently no gentleman.

After three days of that kind of style, I badly needed to sit in a public bar, drink coarse pints of bitter, swap double entendres with the barmaid; but I could hardly tell milady that. Instead, I must use my vocation to justify my day off. Lend me the car, Melissa, so that I can drive to Oxford and buy a book of snowy verses, since theres no such book in the house. And Id made my purchase and managed to fit in my bread, cheese and badinage as well. A good day. Then, almost home again and here I was, stuck fast.

The fields were all brim-full of snow and the dark sky of late afternoon already swollen and discoloured with the next fall. Flocks of crows wheeled endlessly upon the invisible carousels of the upper air, occasionally emitting a rusty caw. A glance beneath the bonnet showed me only that I did not know what was wrong and must get out to trudge along a lane where the mauve shadows told me snow and the night would arrive together. My breath smoked. I wound Melissas husbands muffler round my neck and dug my fists into his sheepskin pockets; his borrowed coat kept me snug and warm although the cold made the nerves in my forehead hum with a thin, high sound like that of the wind in telephone wires.

The leafless trees, the hillside quilted by intersections of dry-stone walling -- all had been subdued to monochrome by the severity of last nights blizzard. Snow clogged every sound but that of the ironic punctuation of the crows. No sign of another presence; the pastoral cows were all locked up in the steaming byre, Colin Clout and Hobbinol sucked their pipes by the fireside in pastoral domesticity. Who would be outside, today, when he could be warm and dry, inside.

Too white. It is too white, out. Silence and whiteness at such a pitch of twinned intensity you know what it must be like to live in a country where snow is not a charming, since infrequent, visitor that puts its cold garlands on the trees so prettily we think they are playing at blossoming. (What an aptly fragile simile, with its Botticellian nuance. I congratulated myself.) No. Today is as cold as the killing cold of the perpetually white countries; todays atrocious candour is that of those white freckles that are the stigmata of frostbite.

My sensibility, the exquisite sensibility of a minor poet, tingled and crisped at the sight of so much whiteness.

I was certain that soon Id come to a village where I could telephone Melissa; then she would send the village taxi for me. But the snow-fields now glimmered spectrally in an ever-thickening light and still there was no sign of life about me in the whole, white world but for the helmeted crows creaking down towards their nests.

Then I came to a pair of wrought-iron gates standing open on a drive. There must be some mansion or other at the end of the drive that would offer me shelter and, if they were half as rich as they ought to be, to live in such style, then they would certainly know Melissa and might even have me driven back to her by their own chauffeur in a warm car that would smell deliciously of new leather. I was sure they must be rich, the country side was lousy with the rich; hadnt I flattened a brace of pheasants on my way to Oxford? Encouraged, I turned in between the gate-posts, on which snarled iron gryphons sporting circumcision caps of snow.

The drive wound through an elm copse where the upper limbs of the bare trees were clogged with beastly lice of old crows nests. I could tell that nobody had come this way since the snow fell, for only rabbit slots and the cuneiform prints of birds marked surfaces already crisping with frost. The drive took me uphill. My shoes and trouser bottoms were already wet through; it grew darker, colder and the old woman must have given her mattress a tentative shake or two, again, for a few more flakes drifted down and caught on my eyelashes so I first saw that house through a dazzle as of unshed tears, although, I assure you, I was out of the habit of crying.

I had reached the brow of a hill. Before me, in a hollow, magically surrounded by a snowy formal garden, lay a jewel of a mansion in a voluptuous style of English renaissance and every one of its windows blazed with light. I imagined myself describing it to Melissa- "a vista like visible Debussy". Enchanting. But, though lights streamed out in every direction, all was silent except for the crackling of the frosty trees. Lights and frost; in the winter sky above me, stars were coming out. Especially for my cultured patroness, I made an elision of the stars in the mansion of the heavens and the lights of the great house. So who was it, this snowy afternoon, whod bagged a triad of fine images for her? Why, her clever boy! How pleased shed be. And now I could declare the image factory closed for the day and get on with the real business of living, the experience of which that lovely house seemed to promise me in such abundance.

Yet, since the place was so well lit, the front door at the top of the serpentine staircase left open as for expected guests, why were there still no traces of arrivals or departures in the snow on which my footprints extended backwards to the lane and Melissas abandoned car? And no figures to be glimpsed through any window, nor sound of life at all?

The vast empty hall serenely dominated by an immense chandelier, the faceted pendants of which chinked faintly in the currents of warm air and stippled with shifting, prismatic shadows walls wreathed in white stucco. This chandelier intimidated me, like too grand a butler but, all the same, I found the bellpull and tugged it. Somewhere inside a full-mouthed bell tolled; its reverberations set the chandelier a-tinkle but even when everything settled down again, nobody came.

I hauled again on the bellpull; still no reply, but a sudden wind blew a flurry of snow or sleet around me into the hall. The chandelier rocked musically in the draught. Behind me, outside, the air was full of the taste of snow -- the storm was about to begin again. Nothing for it but to step bravely over the indifferent threshold and stamp my feet on the doormat with enough eclat to announce my arrival to the entire ground floor.

It was by far the most magnificent house Id ever seen, and warm, so warm my frozen fingers throbbed. Yet all was white inside as the night outside, white walls, white paint, white drapes and a faint perfume everywhere, as though many rich women in beautiful dresses had drifted through the hall on their way to drinks before dinner, leaving behind them their spoor of musk and civet. The very air, here, mimicked the caress of their naked arms, intimate, voluptuous, rare.

My nostrils flared and quivered. I should have liked to have made love to every one of those lovely beings whose presence here was most poignant in her absence; it was a house built and furnished only for pleasure, for the indulgence of the flesh, for elegant concupiscence. I felt like Mignon in the land of the lemon trees; this is the place where I would like to live. I screwed up sufficient wincing courage to shout out: "Anyone at home?" But only the chandelier tinkled in reply.

Then, a sudden creak behind me; I spun round to see the door swing to on its hinges with a soft, inexorable click. At that, the chandelier above me seemed to titter uncontrollably, as if with glee to see me locked in.

It is the wind, only the wind. Try to believe it is only the wind that blew the door shut behind you, keep a strong hold on that imagination of yours. Stop that shaking, all at once uneasy; walk slowly to the door, dont look nervous. It is the wind. Or else -- perhaps -- a trick of the owners, a practical joke. I grasped the notion gratefully. I knew the rich loved practical jokes.

But as soon as I realised it must be a practical joke, I knew I was not alone in the house because its apparent emptiness was all part of the joke. Then I exchanged one kind of unease for another. I became terribly self-conscious. Now I must watch my step; whatever happened, I must look as if I knew how to play the game in which I found myself. I tried the door but I was locked firmly in, of course. In spite of myself, I felt a faint panic, stifled it. . . No, you are not at their mercy.

The hall remained perfectly empty. Closed doors on either side of me; the staircase swept up to an empty landing. Am I to meet my hosts in embarrassment and humiliation, will they all come bouncing -- "boo!" -- out of hidey holes in the panelling, from behind sweeping curtains to make fun of me? A huge mirror behind an extravagant arrangement of arum lilies showed me a poor poet not altogether convincingly rigged out in borrowed country squires gear. I thought, how pinched and pale my face looks; a face thats eaten too much bread and margarine in its time. Come, now, liven up! You left bread and margarine behind you long ago, at grandmas house. Now you are a house-guest of the Lady Melissa. Your car has just broken down in the lane; you are looking for assistance.

Then, to my relief but also my increased disquiet, I saw a face behind my own, reflected, like mine, in the mirror. She must have known I could spy her, peeking at me behind my back. It was a pale, soft, pretty face, streaming blonde hair, and it sprang out quite suddenly from the reflections of the backs of the lilies. But when I turned, she -- young, tricksy, fleet of foot -- was gone already, though I could have sworn I heard a carillon of giggles, unless my sharp, startled movement had disturbed the chandelier, again.

This fleeting apparition let me know for sure I was observed. ("How amusing, a game of hide-and-seek. All the same, do you think, perhaps, the chauffeur could. . .") With the sullen knowledge of myself as appointed clown, I opened the first door I came to on the ground floor, expecting to discover my tittering audience awaiting me.

It was perfectly empty.

A white on white reception room, all bleached, all pale, sidetables of glass and chrome, artefacts of white lacquer, upholstery of thick, white velvet. Company was expected; there were decanters, bowls of ice, dishes of nuts and olives. I was tempted to swallow a cut-glass tumbler full of something-or-other, to snatch a handful of salted almonds -- I was parched and starving, only that pub sandwich since breakfast. But it would never do to be caught in the act by the fair-haired girl Id glimpsed in the hall. Look, shes left her doll behind her, forgotten in the deep cushioning of an armchair.

How the rich indulge their children! Not a doll so much as a little work of art; the cash register at the back of my mind rang up twenty guineas at the sight of this floppy Pierrot with his skull-cap, his white satin pyjamas with the black buttons down the front, all complete, and that authentic pout of comic sadness on his fine china face. Mon ami Pierrot, poor old fellow, limp limbs a-dangle, all anguished sensibility and no moral fibre. I know how you feel. But, as I exchanged my glance of pitying complicity with him, there came a sharp, melodious twang like a note from an imperious tuning fork, from beyond the half-open double doors. After a startled moment, I sprang into the dining room, summoned.

I had never seen anything like that dining room, except at the movies -- not even at the dinner where Id met Melissa. Fifteen covers laid out on a tongue-shaped spit of glass; but I hardly had time to take in the splendour of the fine china, the lead crystal, because the door into the hall still swung on its hinges and I knew I had missed her by seconds. So the daughter of the house is indeed playing "catch" with me; and where has she got to, now?

Soft, softly on the white carpets; I leave deep prints behind me but do not make a sound. And still no sign of life, only the pale shadows of the candles; yet, somehow, everywhere a sense of hushed expectancy, as of the night before Christmas.

Then I heard a patter of running footsteps. But these footsteps came from a part of the house where no carpets muffled them, somewhere high above me. As I poised, ears a-twitch, there came from upstairs or downstairs, or miladys chamber, a spring of thin, high laughter agitating the chandeliers; then the sound of many, many running feet overhead. For a moment, the whole house seemed to tremble with unseen movement; then, just as suddely, all was silent again.

I resolutely set myself to search the upper rooms.

All these rooms were quite empty. But my always nascent paranoia, now tingling at the tip of every nerve, assured me they had all been vacated the very moment I entered them. Every now and then, as I made my increasingly grim-faced tour of the house, I heard bursts of all kinds of delicious merriments but never from the room next to the one in which I stood. These voices started and stopped as if switched on and off and, of course, were part and parcel of the joke; this joke was my unease. In what, by its size and luxury, must have been the master bedroom, the polar bearskin rug thrown over the bed was warm and rumpled as if someone had just been lying there and now hid, perhaps, in the ivorine wardrobe, enjoying my perplexity. And I could have wrecked their fun if only -- if only! -- I had the courage to fling open the pale doors and catch my reluctant hosts crouching, as I thought, among the couture. But I did not dare do that.

The staircarpets gave way to scrubbed boards and still I had not seen anything living except the possibility of a face in the mirror, although the entire house was full of evidence of life. These upper floors were dimly lit, only single lights in holders at intervals along the walls, but one door was standing open and light spilled out onto the passage, like an invitation.